Julia Stone Announces Huge News, her anticipated third solo album ‘Sixty Summers‘ will be released on February 19, and also today she shares a new video for her single ‘Dance‘
Julia Stone upcoming album ‘Sixty Summers‘ arrives as a powerful rebirth for one of Australia’s most prolific artists. Emerging from the wildernesses of folk and indie-rock, with Sixty Summers Stone dives headfirst into the cosmopolitan, hedonistic world of late-night, moonlit pop.
The stunning album brings us the grit and glitter of the city, with all its attendant joys, dangers, romances, and risks. It is Stone at her truest, brightest self, a revered icon finally sharing her long, secret love affair with this vibrant and complex genre.
Stone unveils third single ‘Dance’ with a video directed by Jessie Hill and featuring extraordinary performances from multi-award-winning actors Susan Sarandon and Danny Glover. Hill, Stone’s long-time visual storytelling collaborator, who also directed the striking visual for first single ‘Break’, has truly raised and cleared the bar for creative direction with the ‘Dance’ visual.
Together with Sarandon and Glover, Hill has created a sensual, playful and almost mystical narrative – a fairy-tale moment in time. The actors portray a love, young in its lifetime. They prepare for their first date with giddy excitement, sashaying around their respective homes, dizzy at the prospect of what’s to come. Later, the pair dance and sway together through the streets of New York, lost in each other’s arms and presence.
Of the video’s conception, Hill explains, “Particularly in this moment, I wanted to make a memorable video with a whimsical message about love… a story reflecting the times, where more than ever we need to come together and connect. I also wanted to explore an oft-neglected demographic and reframe the way we look at age.” Although mature in years, Sarandon and Glover portray in the video all the excitement and anticipation associated with new love, reminding the viewer that magic in connection is something intrinsic in the very nature of being human.
Hill continues, “There’s a specific sexiness to maturity, something to revere. We need to see more examples of the wiser generation portrayed in film as exciting, open and highly desirable.Having two icons like Danny and Susan come together to breathe life into this concept was a dream come true.” With performances that harness the magic and wonder of new love, and a chemistry between the actors that feels almost visceral, the ‘Dance’ video will stay with the viewer long after the last bars of the song play out.
Of the song, Stone shares, “‘Dance’ was written as I thought about those very rare and often very special times when strong messages are sent and received silently between people.I was thinking about the moments we can share, when words are ineffective to communicate to those you love or are just unnecessary in a moment of deep connection…. When there’s nothing else to say or do, ‘Why don’t we dance’… It occurs with love and happiness but also pain and empathy. Heart, in all its appearances.”
‘Dance’ is Stone’s third single release in 2020, after ‘Break’ and ‘Unreal’, all of which will feature on Sixty Summers.
Recorded sporadically over five years from 2015 to 2019, Sixty Summers was shaped profoundly by Stone’s key collaborators on the album: Thomas Bartlett, aka Doveman, and Annie Clark, the Grammy-winning singer, songwriter and producer known as St. Vincent. Bartlett and Clark were the symbiotic pair Stone needed to realise her first pop vision. A wizard of production and songwriting, Bartlett helped coax Sixty Summers’ independent, elemental spirit from Stone, writing and recording over 50 demos with her at his studio in New York. Itself a thoroughfare for indie rock luminaries, some of whom, such as The National’s Matt Berninger and Bryce Dessner, ended up on the album, Bartlett’s studio was perfect fertile ground for Stone’s growth. “Making this record with Thomas, I felt so free. I can hear it in the music,” says Stone. “He brings a sense of confidence to recording sessions.”
Clark was the incisive yang to Bartlett’s yin, a sharp musical polymath who, when presented with the work Bartlett and Stone had made together, quickly helped fashion Sixty Summers into the album it was destined to be. Contributing vocals and guitar in addition to production, Clark’s revered acidic touch ignited the sparks of Stone’s creations. Of Stone, Clark comments, “Jules is the best. We were always fond of each other from afar, but after working on this, we became great friends. She’s a brilliant girl — tenacious, perfectionistic, so smart. All fire.”
The scope of Sixty Summers is dizzyingly vast; miles away from Stone’s past work, it is a world unto itself, a surreal and breathtaking new landscape. Where Stone’s previous solo records, 2010’s The Memory Machine and 2014’s By The Horns, found her grappling with the natural darkness that comes with loving too much, Sixty Summers finds Stone claiming every part of herself: fire, fury, love, lust, longing. Touching on reference points as disparate as the avant-funk of Talking Heads (on ‘Break’) the romantic 2am musings of Serge Gainsbourg (‘Free’, ‘Dance’) and the sleek, ecstatic synth work of Lorde’s Melodrama (‘Substance’), Sixty Summers is an album you can dance to and one you can lose yourself in completely.